It’s been a bit quiet on the blog recently while I’m trying to knuckle down and get my dissertation done. Apologies! However, Edinburgh Art Festival has just opened and I’m going to try and see as many of the exhibitions as I can and write about them on here over the next couple of weeks, so watch this space.
So far, the only things I’ve booked are both related to the same work, Night Walk for Edinburgh by Janet Cardiff and George Bures Miller. My slot for the walk is next Sunday, and it sounds like an unusual and immersive experience. From what I can gather, the artists have created a site specific work which you carry with you on a walk around the streets of central Edinburgh, using a tablet and headphones. They become your tour guides in an experience which mixes reality and fiction. The artists are delivering the keynote lecture at the National Gallery of Scotland this evening, which will cover what it was like to make the work in Edinburgh, and will touch on their art practices more generally.
I’ll be back with more updates as and when I get to more Art Festival exhibitions and events. In the meantime, here’s a photo of some excellent curation I noticed recently at the National Gallery in London, pairing two recent works by Sean Scully, Landline Star and Landline Pool (both 2017) with the work that inspired them, The Evening Star (1830) by J. M. W. Turner.