Artist interview with Nicky Bird

Recently I had the opportunity to interview Nicky Bird, an artist who, among many exciting projects, has been undertaking a Land Mark residency with Art Walk Porty.

Her residency has focused on rediscovering and retelling the lost stories of the Buchan Pottery decorators, using found photographs and oral histories. The project is culminating in two weekends of events/exhibits, including an artist walk, site-specific artworks and a soundscape, which will be played in one of the pottery’s old kilns. Definitely worth a trip down to Portobello, if you needed any further encouragement to visit Edinburgh’s loveliest coastline.

We talked about artistic process, how Bird’s work treads the boundaries between art and heritage, and the importance of place and community in the project. You can read the interview in full here.

This is the first time I’ve interviewed an artist directly, and the process was fascinating. Though much of her work is site-specific, we met in Bird’s studio in Leith, where various projects and works-in-progress are tacked to the walls. She described how she doesn’t always manage to work in the studio – alongside her artist projects she teaches at Glasgow School of Art – but the images that surround her when she returns are good reminders that help her pick up where she left off.

I recorded the conversation and transcribed it into its interview format afterwards, and was reminded of how conversations jump around in a way the written word simply cannot. Though audio interviews, via the radio or through podcasts, are probably more personal and intimate, I liked the procedure of drilling down into our conversation and distilling Bird’s thoughts and motivations into a few paragraphs, though editing while keeping someone’s voice is always a challenge.

This is a new venture for me and I’m hoping it is the starting point for more interviews, written and recorded, which shine a light on the fascinating process of art making. I’m very grateful to Nicky Bird for her warmth and patience, and to Rosy Naylor, Curator of Art Walk Porty, for giving me this opportunity.

Nicky Bird in her Leith studio

Edinburgh Art Festival is here

It’s been a bit quiet on the blog recently while I’m trying to knuckle down and get my dissertation done. Apologies! However, Edinburgh Art Festival has just opened and I’m going to try and see as many of the exhibitions as I can and write about them on here over the next couple of weeks, so watch this space.

So far, the only things I’ve booked are both related to the same work, Night Walk for Edinburgh by Janet Cardiff and George Bures Miller. My slot for the walk is next Sunday, and it sounds like an unusual and immersive experience. From what I can gather, the artists have created a site specific work which you carry with you on a walk around the streets of central Edinburgh, using a tablet and headphones. They become your tour guides in an experience which mixes reality and fiction. The artists are delivering the keynote lecture at the National Gallery of Scotland this evening, which will cover what it was like to make the work in Edinburgh, and will touch on their art practices more generally.

I’ll be back with more updates as and when I get to more Art Festival exhibitions and events. In the meantime, here’s a photo of some excellent curation I noticed recently at the National Gallery in London, pairing two recent works by Sean Scully, Landline Star and Landline Pool (both 2017) with the work that inspired them, The Evening Star (1830) by J. M. W. Turner.